You can tell this really bugs me huh? :chuckle
I think it is the hypocrisy. Folks complain that President Bush lied and therefore is not to be trusted (WMD, his military background, etc). But it is ok that MM lied, lied and lied again - we can trust him because he is just trying to make a point.
Came across a book that is a variation on MM's "Stupid White Men".
Book: 'Michael Moore Is A Big Fat Stupid White Man'
Thursday, June 24, 2004
A just released book takes on Michael Moore as never before. Its title screams: "Michael Moore Is A Big Fat Stupid White Man."
And surprisingly, this book has been published by the same publisher who gave us Michael Moore's own runaway bestseller "Stupid White Men."
Apparently, more than a few people want to take revenge on Michael Moore and the timing couldn't be better - with the release this week of his "documentary" attack piece on George Bush - Fahrenheit 9/11.
Moore is so terrified by his detractors he claims that he has already hired a cabal of lawyers. He says he will sue Bush supporters who he thinks may be preparing to slander him.
Moore's hypocrisy is obvious. Slate editor Jack Shafer says "Moore's hysterical, empty threats" to sue critics of his latest schlockumentary shows that he "appears to believe in free speech only for himself."
One possible target for Moore's lawyers may be the publisher of his own book.
Moore's one time publisher, ReganBooks, is out with a disturbing yet comical book that dismantles every cog of that propaganda machine marketed as Michael Moore.
David T. Hardy and Jason Clarke's "Michael Moore Is A Big Fat Stupid White Man" begins by unearthing his phony roots and goes right up to his latest "documentary."
Meet the Flint-drone: Everybody knows Moore is a blue-collar guy from Flint, Mich., right? That's how he always sells himself.
In reality, he was born and raised in the wealthy, lily-white town of Davison, Mich, the authors reveal. No wonder the clown prince of self-loathing developed such a complex about hating rich, stupid white males.
In a letter to Roger Ebert of the Chicago Sun-Times last year, Moore still listed his town as Flint. In fact, despite his proclamations that "capitalism is a sin" and "an evil system," he lives in a $1.9 million apartment in Manhattan and enjoys a $1.2 million summer home on Torch Lake in Michigan.
Does not play well with others: Moore can't get along even with his fellow travelers.
Hardy and Clarke disclose how the radical magazine Mother Jones fired the "arbitrary" and "suspicious" Moore; how he started his feud with his replacement, David Talbot, who later founded Salon; how Ralph Nader's organization fired Moore; how he attacked Pauline Kael, Harlan Jacobson and other prominent critics who exposed the deceits of his schlockumentaries; how he lost a lawsuit for betraying fellow lefty activist Larry Stecco in "Roger & Me," etc.
Nor can the elitist Moore tolerate those lowly working classes and students he claims to represent.
"Big Fat Stupid White Man" gives details of how he abused the staff during a speaking engagement at London's Roundhouse Theater; how he castigated a student who dared question his hefty speaking fee; how he attacked a young documentary maker who had the nerve to give him a taste of the "Roger & Me" treatment, and so forth.
And don't forget his amusingly shrill denunciation of those awful blue-collar crewmen who, unlike his fellow multimillionaires in Hollywood's left, booed him during his tirade at the Oscars.
The book presents one example after another, alternating between frightening and hilarious, to make a brilliant case for Moore having Narcissistic Personality Disorder.
Then there's his feud with his former publisher, HarperCollins subsidiary ReganBooks, which gave us his best seller "Stupid White Men" and now brings us "Michael Moore Is A Big Fat Stupid White Man."
ReganBooks, he claims, tried "to censor me and the things I wanted to say. They insisted I rewrite up to 50 percent of the book and that I remove sections that they found offensive to our leader, Mr. Bush." The company plotted "to 'pulp' and recycle all 50,000 copies of my book that were gathering dust in a warehouse," he insists.
However, ReganBooks issued a statement to NewsMax.com contradicting these allegations:
"Originally scheduled for release on September 11, 2001, the book was delayed by mutual agreement between author and publisher after the events of that day. Despite erroneous reports that have appeared in the press, the publisher never attempted to censor the book on partisan grounds, though the publisher and author did discuss replacing the original version of the book with an updated version to address the post-9/11 world. Ultimately, the decision was made to release the book in its original form, and it went on to become a huge success for both the publisher and the author. ReganBooks has since declined to exercise its option to publish another book by Mr. Moore."
After all, Moore and other members of the left-wing thought police can't bear a commitment to diversity of ideas.
Judith Regan, president and publisher of ReganBooks, noted that her company had produced books by Howard Stern and Moore as well as Sean Hannity and Rush Limbaugh.
"As publishers, we have an obligation to publish a wide range of ideas, opinions, and perspectives," she said in a statement issued to NewsMax. "Our job is to publish voices on the left, on the right, and everywhere in between - to provide a broad range of opinion."
"We agree with Michael Moore that free expression is one of our most important human rights," Regan said, "and publishing widely and freely is the only way to honor that tradition."
Unfortunately, Moore fights his critics' right to free expression, as Slate's Shafer noted and as Hardy and Clarke document at length.
Howlers in 'Columbine': Some of the distortions and falsehoods that plague the movie "Bowling for Columbine" are already well known, but Hardy and Clarke add details and reveal new whoppers.
Moore claims that National Rifle Association taunted the Denver area and the nation by holding "a large pro-gun rally" only days after the killings at Columbine High School.
In reality, the annual meeting had been planned well in advance, was required by law, could not have been changed in time to another city, and was stripped of all rallies and ceremony in deference to the community.
The movie depicts Charlton Heston as making his famous "cold, dead hands speech" in Denver.
In reality, the remarks came a year later in Charlotte, N.C., and Moore spliced bits of footage from that and another speech for maximum distortion. "It is a lie, a fraud, and a few other things," Hardy and Clarke write.
The fantasy film claims that Heston exploited a school shooting in Mount Morris, Mich., by staging another "big pro-gun rally" in October 2002.
In reality, Heston's appearance came eight months after the shooting, at a get-out-the-vote event in nearby Flint. Others campaigning in the area around that time included Al Gore, George W. Bush ... and Moore himself, touting Ralph Nader.
The authors conclude: "Bowling for Columbine has less documentary value than the average Bugs Bunny cartoon. You see Heston giving a speech - but it's doctored. You see history - but unconnected facts are given a particular Moorewellian spin. You hear that a factory is making weapons of mass destruction - actually, it's building satellite launch platforms. You're led to believe that a rally was a response to a shooting, but it turns out it was eight months later, in anticipation of an election. You watch a Bush-Quayle campaign ad, but in reality it was an ad Moore himself assembled."
'Stupid' is as stupid does: Hardy and Clarke dissect "Stupid White Men" and "Dude, Where's My Country?" along with the latter's celluloid ugly stepchild, Fahrenheit 9/11, to delve into the heart of Moore's pathology. A few highlights:
Moore harps on his portrayal of America as a "nation of idiots" (i.e., people who disagree with him) and illiterates.
In reality, the "statistics" he offers indicating widespread illiteracy include two sizeable groups: immigrants who are often fluent in other languages but not English, and the blind and visually impaired.
Moore, who after all graduated from high school, delights in ridiculing his countrymen's poor grasp of geography. "The dumbest Brit here is smarter than the smartest American," he snickers to an audience in London.
But Moore chooses not to add an important fact: young adults worldwide performed badly on the National Geographic survey he so selectively cites.
He claims that Florida wrongly disenfranchised thousands of pro-Democrat criminals in the 2000 election. "Thirty-one percent of all black men in Florida" are felons, in his paranoid fantasy world. (No wonder this limousine liberal travels in such exclusive circles.)
In reality, the Miami Herald showed that Democrat-run counties violated state law and let the overwhelmingly Democrat felons vote illegally - more than 2,000 votes, most of which went to Gore.
Most importantly, "Michael Moore Is a Big Fat Stupid White Man" refutes Moore's wild attempts to implicate the president in 9/11. Every American should read these chapters. They are too detailed to summarize here, but one example will demonstrate this book's importance.
Moore claims President Bush invaded Afghanistan and toppled the Taliban so he could get an oil pipeline built. You've probably heard others parrot this allegation. A master of propaganda knows that if you repeat a lie often enough, people start to believe it.
In reality, Bush had supported Enron's plan to run pipes under the Caspian Sea and avoid Afghanistan. "Clinton was the one backing the rival Unocal plan to put them through Afghanistan," Hardy and Clarke observe.
Inspiration to terrorists: Moore's favorite claim: "THERE ... IS ... NO ... TERRORIST ... THREAT!" If so, why do terrorists take succor from him?
The most damning indictment of Moore in "Big Fat Stupid White Man": the salute offered by Imam Samudra, leader of the Muslim terrorist bombers who murdered 202 people, mostly Australians and other tourists, two years ago at Paddy's nightclub in Bali.
"I saw lots of whiteys dancing and lots of whiteys drinking there," Samudra told Indonesian police. The authors note, "It was 'Kill Whitey' (to quote a chapter heading in Stupid White Men) with a vengeance."
Samudra's attorney Qaidar Faisal concluded his defense by praising the Taliban and quoting from "anti-western texts" including Moore's "Stupid White Men."
Despite all the appalling revelations in "Michael Moore Is A Big Fat Stupid White Man," it's hard to finish the book without feeling pity for this man.
Had he used his talents to make actual documentaries and write books devoid of distortion and mendacity, he could have offered a useful critique of the Bush administration's flaws.
Instead, fueled by a narcissism that springs from hatred of self and others, he mangles reality to dupe the uninformed, delight the blame-America-first crowd and even inspire terrorists.
He concentrates his venom on one politician and one party but damages a nation.
"Michael Moore Is A Big Fat Stupid White Man" marks a confident step in undoing his damage.
It's clear that Michael Moore has gone off the deep end when even Democrats compare him to the Nazis' master of propaganda:
"Hollywood agent and Kerry supporter Tom Baer told me, 'Kerry should flee Moore's movie. It's Goebbels all over again." This quotation comes not from Ann Coulter or Sean Hannity or Rush Limbaugh but from a column in the Washington Post by Tina Brown, a queen of the liberal media establishment.
Christopher Hitchens, a contributor to such partisan publications as New Left Review and The Nation, writes for Slate: "Fahrenheit 9/11 is a sinister exercise in moral frivolity, crudely disguised as an exercise in seriousness. It is also a spectacle of abject political cowardice masking itself as a demonstration of 'dissenting' bravery."
Andrew Sullivan, a former editor at the liberal New Republic: "Moore is beneath contempt."
If even liberal folks find him offensive, shouldn't we at least ask some questions?